Those lines 1 – 2 expressed the consequences of the principle of selection in all aspects of life. He encourages the readers to believe the walker who never takes the others is him. ![]() He is the walker who looks down one, first, that he never takes the others. Those lines express the consequences to the principles of selection in all aspects of life. And while its easy to fall into that well-beaten path of analysis. TWO roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could Lines 1 – 4, inspire two lonely crossed roads reveals a speaker or Frost as a walker encounters two nearly identical paths. A lot of people think this poem is encouraging us to take the road thats less traveled. The analysis of literary devices explains the hidden meanings of a literary text or a poem. Major readers will agree to analyze its meaning by dividing into several groups of lines. Subscribe to Heres the Deal, our politics newsletter for analysis you wont find anywhere else. Frost generally presents his poems based on the condition of the nature and its surroundings, including the environment and human that has interaction to each other. Illustration and interpretation of his poem assume that he decides to go off at that time to some places where he could not repeat his own way that complained to his friend - Tomas who never lets him try another road. The Road Not Taken, on this poem Frost pretended to ‘carry himself’ and his irony to stubbly, dramatically to assume a posture not his own, but simply for purposes of mockery. ![]() Such a course of action was a road never taken by Frost, a road he had been taught to avoid. ![]() Frost finds mething quaintly romantic in sighing over what might have been. More than once on such occasions, the New Englander, Frost had teased his Welsh-English friend for those wasted regrets. Tomas, he repeatedly chose a route might enable him to show his American friend a rare plant or a special vista, but it often happened that before the end of such a walk Tomas would regret the choice he had made and would sigh over what he might have shown to Frost, if they have taken a ‘better’ direction. He frequently took long walks with Tomas through country side. The inspiration for The Road Not Take n came from Frost’s amusements over a familiar mannerism of his closest friend in England, Edward Tomas while living in Gloucester Shire in 1914.
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